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Elvis Presley site the Beatles article part 2
of the Elvis Presley biography story

This Elvis Presley biography — Beatles Rock and Roll History page is dedicated to providing the site visitor with quality information, the Beatles life story, music downloads and movie videos as well as pictures and articles about John Lennon, Paul McCartney, Ringo Starr, George Harrison, Music of The Beatles, rock and roll famous musicians and movie stars for your entertainment. The contents of this Elvis Presley biography site is written by a fan for his fans. The Beatles Rock and Roll History

Studio style evolution

The role of producer George Martin was one of the crucial elements in the success of the Beatles.

He used his experience to bring out the potential in the group, where a lesser producer would have imposed his views and inhibited the creativity he recognised and nurtured.

His earlier experience of producing recordings by acts ranging from Jimmy Shand to the Goons prepared him for the open-minded, experimental approach to the studio which the group began to develop as they became more experienced. Martin's connection with the Goons had been impressive to the group, who were fans.

At the height of their fame in the mid-sixties, bolstered by the two films Help! and A Hard Day's Night, the band discontinued touring.

The difficulty of performing to thousands of screaming fans who typically made so much noise that the music could not be heard had led to the disillusion with touring, and the group retired from live performance in 1966, to concentrate on making records.

Their final concert was in Candlestick Park, San Francisco.

Their demands to create new sounds with every recording, the influence of psychedelic drugs and the studio techniques of recording engineer Geoff Emerick resulted in the albums Revolver

(1966) and Sgt. Pepper's Lonely Hearts Club Band

(1967), still widely regarded as classics.

Particularly notable, along with the use of studio tricks such as sound processing, unconventional microphone placements, and vari-speed recording, was the Beatles' use of unconventional instruments for pop music, including string and brass elements, Indian instruments like the sitar, tape loops and early electronic instruments.

The group were increasingly taking charge of their own production, and Paul McCartney's increasing dominance in this role played its part in the tensions that eventually split the group.

The stress of their fame was beginning to tell and the band was on the verge of splitting at the time of the release of The Beatles

("The White Album"), with some tracks recorded by the band members individually, and Starr taking a two-week holiday ≈ sometimes reported as a temporary break-up ≈ in the middle of the recording session. By 1970, the band had split, with each of the members going on to solo careers with varying degrees of success.

Nonetheless, it was acclaimed for its boldly innovative graphic style and clever humour as well as the soundtrack.

Finally, the documentary of a band in terminal decline, Let It Be was shot over an extended period in 1969; the music from this formed the album of the same name, which although recorded before Abbey Road, was (after much contractual to-ing and fro-ing and significant tinkering by producer Phil Spector) their final release.

Music

Unlike their contemporaries the Rolling Stones, the Beatles were seldom directly influenced by blues.

Though they drew inspiration from an eclectic variety of sources, their home idiom was closer to pop music.

Their distinctive vocal harmonies were influenced by early Motown artists in the U.S. Chuck Berry was perhaps the most fundamental progenitor of the Beatles' sound; the Beatles covered "Roll Over Beethoven" and "Rock And Roll Music" early in their careers on record (with most other Berry classics heard in their live repertoire).

Chuck Berry's influence is also heard, in an altered form, in later songs such as "Everybody's Got Something to Hide Except Me And My Monkey" (1968) and "Come Together" (1969) when "Come Together" was released, the owner of Chuck Berry's copyrights sued John Lennon for copyright infringement of his song "You Can't Catch Me", after which the two reached an amicable settlement, the terms of which including that Lennon cover some Chuck Berry songs as a solo artist.

Some people claim The Beatles' biggest influence was Elvis Presley.

This is a matter of debate. Paul was quoted in an interview as saying that Elvis was the reason he picked up the guitar. John was also said to have loved Elvis' music.

But others claim that, given that The Beatles sound little or nothing like Elvis, and little of his handprint can be seen in their catalog, and also given that they have so many other influences in chamber pop, R&B;, soul, and early rock, Paul and John must have obviously gotten that feeling from a lot of other artists, and Paul would have surely picked up a guitar due to that feeling he got from any of the myriad other influences.

The Beatles were fond of Little Richard, and some of their songs ≈ especially their early work ≈ featured falsetto calls very similar to those Little Richard offered as punctuation in his own songs, notably Long Tall Sally.

In 1962 he took the Beatles with him on a tour of Hamburg, and they performed together at the Star Club. Long Tall Sally was a permanent fixture on their concert performances and McCartney's effort on the album version is widely regarded as his all-time best rock vocal recording.



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